Stay With Me by Ayobami Adebayo #BaileysPrize

Stay With Me is the meaning of the Yoruba, Nigerian first name Rotimi, which in itself is the short version of Oluwarotimi.

“Still they named her Rotimi, a name that implied she was an Abiku child who had come into the world intending to die as soon as she could. Rotimi – stay with me.”

I’m guessing that Ayobami Adebayo uses it as the title to her novel, because it relates to the twin desires of the main characters in the book, Yejide in her yearning to become pregnant and to keep a child, to be the mother she was denied, having been raised by less than kind stepmothers after her mother died in childbirth; and her husband Akin, in his desire to try to keep his wife happy and with him, despite succumbing to the pressures of the stepmothers and his own family, he being the first-born son of the first wife, to produce a son and heir.

“Before I got married I believed love could do anything. I learned soon enough it couldn’t bear the weight of four years without children. If the burden is too much and stays too long, even love bends, cracks, comes close to breaking and sometimes does break. But even when it’s in a thousand pieces around your feet, that doesn’t mean it’s no longer love.”

Torn between the love of his wife and meeting the expectations of his family, for two years he would resist their suggestions, until the day they came knocking at his door, to inform Yejide that matters had been taken into their hands, that there was nothing she could do but accept it, suggesting it may even help.

“For a while, I did not accept the fact that I had become a first wife, an iyale. Iya Martha was my father’s first wife. When I was a child, I believed she was the unhappiest wife in the family. My opinion did not change as I grew older. At my father’s funeral, she stood beside the freshly dug grave with her narrow eyes narrowed even further and showered curses on every woman my father had made his wife after he had married her. She had begun as always with my long-dead mother, since she was the second woman he had married, the one who had made Iya Martha a first among not-so-equals.”

The narrative is split into five parts and moves between a present in 2008 when Yejide is returning to her husbands hometown for the funeral of his father, and the past which traverses the various stages of their marriage and their attempts to create a family and the effect of the secrets, lies, interferences and silences on their relationship.

The narrative voice moves from first person accounts of both Yejide and Akin, ensuring the reader gains twin perspectives on what is happening (and making us a little unsure of reality) and the more intimate second person narrative in the present day, as each character addresses the other with that more personal “you” voice, they are not in each other’s presence, but they carry on a conversation in their minds, addressing each other, asking questions that will not be answered, wondering what the coming together after all these years will reveal.

The portrayal of the pressures on this couple to meet expectations and the effect of the past on the present are brilliantly conveyed in this engaging novel, which provides a rare insight into a culture and people who live simultaneously in a modern world that hasn’t yet let go of its patriarchal traditions. Denial plays a lead part and when the knowledge it suppresses is at risk of being exposed, violence erupts.

Simultaneously the country is in the midst of a military coup, which also threatens to destabilise the country and puts its citizens in fear for their lives.

The novel also addresses the significant presence of the sickle-cell gene on people’s lives, something that is perhaps little known in the West, but in Nigeria with a population of 112 million people, 25% of adults have or carry the sickle-cell trait, which can cause high infant mortality and problems in later life. It is a genetic blood disorder that affects the haemoglobin within the red blood cells and the recurring pain and complications caused by the disease (for which there is no cure) can interfere with many aspects of a person’s life.

Stay With Me has been longlisted for the Baileys Women’s Prize for Fiction 2017, a worthy contender in my opinion and a unique social perspective on issues that are both universal to us all illustrating how in particular they impact the Nigerian culture.

Buy A Copy of Stay With Me via Book Depository

 

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Worthy by Nancy Levin

“And the day came when the risk to remain tight in the bud was more painful than the risk it took to blossom.” Anaïs Nin

Nancy Levin is an author, speaker and coach/mentor who used to be an Events Organiser for Hay House until one day she decided she wanted to re-orient her life and fortunately had such a good relationship with her boss, she was able to be open and honest about the need for a change and given the time to prepare for doing so.

He advised her not to do anything rash straightaway, to go away and research what she wanted to do and then when she was ready and prepared for the transition, she could do so with less fear and with their support. Thus she went from being the organiser to being a coach herself, for people who could identify with where she had been, the kind of constraints she had confronted and were ready for her to inspire them to do the same.

That transition she made and the mentoring she received became the subject of her first book Jump…and your life will appear – an inch by inch guide to making a major change in your life.

I haven’t read this earlier book, I came across Nancy Levin via the intuitive coach I regularly listen to Colette Baron Reid whose book Uncharted, I read and reviewed in 2016. As a part of the lead up to reading Colette’s book, I listened to a lot of her ‘real and raw’ conversations she had with people whose work she admired, unscripted conversations talking about their perspectives on spirituality, the universe and the things that were helping them to navigate life, that they shared. All these conversations are really interesting and we find that some resonate more than others.

Nancy Levin’s conversation was particularly interesting because she had been in quite a traditional realm prior to making this jump, so I think she attracts quite a few followers who are not quite ready to jump, who are dependent on an unfulfilling job, their spouse, their family, their home, but who have that feeling that they not entirely fulfilled by what they are doing in their lives and would like some tools or resources to help them make the shift.

During the conversation, they explore how people often put their worth in the hands of others, that worth isn’t related to what we do or do not do, it’s about coming into the right relationship with ourselves first, the subject explored in her new book.

In WorthyBoost Your Self-Worth to Grow Your Net Worth, she takes the jump a step further and analyses what might be behind the reluctance, or resistance as she likes to call it, to change. She tells the story behind the story of her own life, of how she rarely spent money on herself, but often on her husband because she was trying to make him happy. Through coaching, she was able to have greater awareness of her own patterns and see how she was getting in her own way of achieving what she wanted.

However, just having this knowledge isn’t enough to make a change, so in the new book, she takes the reader through a number of exercises to discover our own patterns, habits and inclinations and how they might be limiting our ability to move into that life that we would prefer to be living.

She refers to them as shadow beliefs, a term introduced by her mentor Debbie Ford, beliefs formed when we were so young, they hide outside our conscious awareness. They are nourished by thoughts and situations that confirm their existence, providing further resistance against any desire to change.

Having identified those beliefs (or excuses), she then invites us to prove them wrong, to find the counter belief and phrase it.

“Excuses are actually just well packaged resistance. But our resistance has a lot to do with our self-worth. When we feel worthy, we don’t resist what’s good for us. We feel we deserve what we want, so we find it much easier to step right over our fears and go for it. That’s the blessing of worthiness. If we don’t feel we deserve what we want, we let resistance keep us down.”

She dissects a number of the more common excuses and beliefs and uncovers the real reason for the resistance beneath it, using case studies of clients she has worked with and her own personal story.

The book moves further on, into defining what you want most and how to move from excuses to action, to taking back your power, taking responsibility, practising self-trust and self-respect.

A lot of the messages relate to financial empowerment and how this connects to other aspects of our lives and ability to make decisions. It ends with an exercise to create a list of 50 desires, five of which must be altruistic desires for other people, readying the reader for taking action, getting ready to do the impossible.

It’s a thought-provoking read that’s likely to be uncomfortable at times, digging into one’s own limiting beliefs, but rewarding by allowing us a way to explore the shadow side and then express the opposite, the things that you want to do, that you may not have ever taken seriously or even expressed and daring you to take action and allow those desires to manifest.

“What is now proved was once only imagined.” William Blake

To Buy a Copy of Worthy, Click Here

Note: This book was an ARC (Advance Reader Copy) kindly provided by the publisher (Hay House) via NetGalley.

Three Daughters of Eve by Elif Shafak

Elif Shafak is a popular Turkish author, and a Rumi scholar, raised by her mother and grandmother, experiencing a childhood and influences that fed a fertile imagination. Now based in London, this is her tenth novel. Since reading The Forty Rules of Love, the first of her novels to actively reference her Rumi knowledge and learnings, I’ve read the excellent The Bastard of Istanbul, Honour and her nonfiction essay The Happiness of Blond People. She is an interesting and unique author because of her ability to straddle the thinking of both East and West, captured through engaging characters and storytelling; she demonstrated that for all our supposed differences, we are grappling with similar issues.

Three Daughters of Eve is an interesting, quietly provocative, philosophical novel. Shafak brilliantly sets up a character study of Peri, our Turkish protagonist, who on her way to a dinner party to meet her husband, decides to abandon her car in the middle of a traffic jam, in pursuit of an opportunistic handbag thief.

“Like a magic wand in the wrong hands, the traffic turned minutes into hours, humans into brutes and any trace of sanity into sheer lunacy.”

There is a violent, unsettling altercation after which she will continue on her way, shaken, but in one piece and determined not to change her plans. However this episode and the memories it awakens, will over the course of the evening, reveal her conflicted self and cause her to consider her life and address a significant event of the past, as the present madness moves forward towards astonishing heights.

“Though easy to forget at times, the city was a stormy sea swollen with drifting icebergs of masculinity, and it was better to manoeuvre away from them, gingerly and smartly, for one never knew how much danger lay beneath the surface.”

The three daughters are the three girls who appear in the photo that falls out of her handbag, referred to as the sinner, the believer and the confused. They are three young Muslim students at Oxford university, including Peri (the confused), who will all take the same class with Professor Azur and for a time they will live together. The girls all have different views, as do their fellow classmates, in the class about ‘understanding God’, a guided philosophical think-tank, where the handpicked students are forbidden to discuss religion, and must instead learn to express their opinions without the framework of doctrine.

Thus the novel is narrated across two timelines, the present day Istanbul (2016) en route to and at a bourgeoise dinner party and a period of time at the university in Oxford (2000).

Shirin is the liberal-minded sinner with no excuses or apologies for who she is, she loves to provoke reaction and is a willing accomplice come recruiter to the Professor’s circle, it is she who brings the conservative believer Mona and Peri together.

Shafak’s account of Peri’s parents and family is brilliantly characterised and aptly portrays why she is given the label of ‘confused’, they are complete opposites and over time become even more so, her two brothers are also polar opposite while Peri, loaded with empathy, understands all their positions, but can not stand in either of their shoes. Her plan to study in England, supported by her father and a cause of concern for her mother, was more of an escape for her than the brilliant opportunity her father imagined.

“They were as incompatible as tavern and mosque. The frowns that descended on their brows, the stiffness that infused their voices, identified them not as a couple in love, but as opponents in a game of chess…

Religion had plummeted into their lives as unexpectedly as a meteor, and created a chasm, separating the family into two clashing camps.”

Despite education, philosophical questions and new friends, Peri is a young, Turkish woman coming to live in a foreign country; as I was reading, I couldn’t help but notice the synchronicity between this combination of time, space and circumstance that made Peri vulnerable to manipulative intent and the protagonist of Claire Fuller’s excellent novel Swimming Lessons, a novel that chose not to explore the family background and cultural references of its young, female Norwegian university student, and rather focuses on the life that followed an equally significant turning point.

Here in Elif Shafak’s novel is an attempt to provide an experience with its cultural context. They are both young impressionable women having life-changing experiences in a foreign culture, with little support or guidance, they are lost in an age-appropriate confusion of emotions, one that is not on the same wavelength as the object of their desire.

Elif Shafak speaking in Bulgaria
Photo courtesy of Rayna Tzvetkova

While I enjoyed the novel and love Elif Shafak’s writing and philosophical questioning, there was a point very near the end, where events became too surreal for me to stay captured in the literary bubble of considering that evening dinner party in 2016 legitimate. It may be a satire of the Turkish elite, some of the things that happen and that are said are a mix of humorous and dramatic, however that’s not the tone of the novel as a whole.

I don’t know why the author chose to brings things together in the manner she did, for me personally it distracted from the thought process I’d spent the entire novel developing, and resulted in a suspension of belief, a kind of clocking out. I was waiting for the resolution, that’s where it was heading, and it does attempt to do that, however, as she not so convincingly demonstrates, humans can be unpredictable, and their actions often make no sense at all.

An excellent and thought-provoking novel that I recommend, despite a somewhat less well executed ending.

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Note: This book was an ARC(Advance Reader Copy) kindly provided by the publisher via NetGalley.

To purchase a copy via Book Depository, click here

Man Booker International Prize 2017 long list #MBI2017

The Man Booker International Prize used to appear every two years and the authors nominated were not just writers in translation, they were from outside the UK and a nomination was for their body of work, not for one recently published book. That prize, for a translated work of fiction was called, the IFFP (Independent Foreign Fiction Prize).

Now the two have joined together, with the format being the same as the IFFP prize and the name Man Booker International.

The judges for 2017  are Nick Barley, Director of the Edinburgh International Book Festival, translator Daniel Hahn; award-winning poet Helen Mort; Turkish author and academic Elif Shafak and Nigerian-born writer Chika Unigwe.

“Fiction in translation is flourishing: in these times when walls are being built, this explosion of brilliant ideas from around the world arriving into the English language feels more important than ever.” Nick Barley, Chair

Last year the prize was won by the South Korean author Han Kang and her translator Deborah Smith, for The Vegetarian.

MBI long list 2017

The 2017 longlist comprises 13 titles (from 126 submissions) translated into English from 11 languages: (summaries extracted from the Man Booker Prize website), the shortlist will be announced on April 20 and the winner on June 14th.

Title, Author (nationality), Translator

Compass by Mathias Enard (France), (tr. Charlotte Mandell) – As night falls over Vienna, Franz Ritter, an insomniac musicologist, takes to his sickbed with an unspecified illness and spends a restless night drifting between dreams and memories, revisiting important chapters of his life: his ongoing fascination with the Middle East and his numerous travels to Istanbul, Aleppo, Damascus and Tehran, and writers, artists, musicians, academics, orientalists, and explorers who populate this vast dreamscape. An immersive, nocturnal, musical novel, full of generous erudition and bittersweet humour, Compass is a journey and a declaration of admiration, a quest for the otherness inside us all and a hand reaching out.

Swallowing Mercury by Wioletta Greg (Poland), (tr.Eliza Marciniak) – Wiola lives in a close-knit agricultural community in 1980s Poland. Wiola’s father was a deserter but now he is a taxidermist. Wiola’s mother tells her that killing spiders brings on storms. Wiola must never enter the seamstresses’s ‘secret’ room. Wiola collects matchbox labels. Wiola is a good Catholic girl brought up with fables and nurtured on superstition. Wiola lives in a Poland both recent and lost in time. Swallowing Mercury is about the ordinary passing of years filled with extraordinary days. In vivid prose filled with texture, colour and sound, it describes the adult world encroaching on the child’s. From childhood to adolescence, Wiola dances to the strange music of her own imagination.

A Horse Walks Into a Bar by David Grossman (Israel) (tr.Jessica Cohen) – In a comedy club in a small Israeli town, an audience arrives expecting an evening of amusement and see a comedian falling apart on stage; an act of disintegration, a man crumbling before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovale Gee, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him.

War and Turpentine by Stefan Hertmans (Belgium), (tr.David McKay) – Shortly before his death, Stefan Hertmans’ grandfather Urbain gave his grandson a set of notebooks containing detailed memories of his life. He grew up in poverty around 1900, the son of a struggling church painter who died young, and went to work in an iron foundry at 13. Afternoons with his father working on a church fresco were heaven; the iron foundry an inferno. During WW1, Urbain was on the front line confronting the invading Germans, haunted by events he can’t forget. War ends, he marries, then tragedy. Urbain recovers and like the obedient soldier he is, dutifully fulfils the expectations of family. Observations of a marriage with a sad secret at its heart, consolation found in art and painting.

The Unseen by Roy Jacobsen (Norway), Don Bartlett (tr.Don Shaw) – Ingrid Barrøy is born on a family owned island, her father dreams of a jetty to connect them to the mainland, but closer ties to the wider world come at a price. Her mother has her own dreams – and a question Ingrid must never ask. Island life is hard, so when Ingrid comes of age, she is sent to work for one of the wealthy families on the coast. But Norway too is waking up to a wider world, a modern world that is capricious and can be cruel. Tragedy strikes, and Ingrid must fight to protect the home she thought she had left behind.

The Traitor’s Niche by Ismail Kadare (Albania), (tr.John Hodgson) – At the heart of the Ottoman Empire, in the main square of Constantinople, a niche is carved into ancient stone. Here, the sultan displays the severed heads of his adversaries. People flock to see the latest head and gossip about the state of the empire: the province of Albania is demanding independence again, and the niche awaits a new trophy. Tundj Hata, the imperial courier, is charged with transporting heads to the capital – a task he relishes and performs with fervour. But as he travels through obscure and impoverished territories, he makes money from illicit side-shows, offering villagers the spectacle of death. The head of the rebellious Albanian governor would fetch a very high price.

Fish Have No Feet by Jon Kalman Stefansson (Iceland), (tr.Phil Roughton) – Keflavik: a town that has been called the darkest place in Iceland, surrounded by black lava fields, hemmed in by a sea that may not be fished. Its livelihood depends entirely on a U.S. military base, a conduit for American influences that shaped Icelandic culture and ethics from the 1950s to the dawn of the new millennium. It is to Keflavik that Ari, a writer and publisher, returns from Copenhagen at the behest of his dying father, two years after walking out on his wife and children. He is beset by memories of his youth, spent or misspent listening to Pink Floyd and the Beatles, fraternising with American servicemen – who are regarded by the locals with a mixture of admiration and contempt – and discovering girls. There is one girl in particular he could never forget – her fate has stayed with him all his life.

The Explosion Chronicles by Yan Lianke (China), (tr.Carlos Rojas)  – With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded a thousand years ago by refugees fleeing a volcanic eruption. But in the post-Mao era, the name takes on a new significance as the rural community grows explosively from a small village to a town to a city to a vast megalopolis. Behind this rapid expansion, three rival clans linked together by a web of ambition, madness and greed,  transform their hometown into a Babylon of modern times – an unrivalled urban superpower built on lies, sex and thievery.

Black Moses by Alain Mabanckou (France), (tr.Helen Stevenson) – 1970 in the People’s Republic of Congo, a Marxist-Leninist revolution is ushering in a new age. Over at the orphanage on the outskirts of Pointe-Noire where young Moses has grown up, the revolution has strengthened the reign of terror of Dieudonné Ngoulmoumako, the institution’s corrupt director. So Moses escapes to Pointe-Noire, where he finds a home with a larcenous band of Congolese Merry Men and among the Zairean prostitutes of the Trois-Cents quarter. But the authorities won’t leave Moses in peace, and intervene to chase both the Merry Men and the Trois-Cents girls out of town. All this injustice pushes poor Moses over the edge. Could he really be the Robin Hood of the Congo? Or is he just losing his marbles?

Bricks and Mortar by Clemens Meyer (Germany), (tr.Katy Derbyshire) – Bricks and Mortar is the story of a city’s sex trade in the former GDR, from 1989 to the present day, charting the development of the industry from prohibition to legality in the 20 years following the reunification of Germany. It focuses on the rise and fall of one man from football hooligan to large-scale landlord and service-provider for prostitutes to, ultimately, a man persecuted by those he once trusted. And other voices: women who work in prostitution, their clients, small-time gangsters, an ex-jockey searching for his drug-addict daughter, a businessman from the West, a girl forced into child prostitution, a detective, a pirate radio presenter…

Mirror, Shoulder, Signal by Dorthe Nors (Denmark), (tr.Misha Hoekstra) – Sonja is an intelligent single woman in her 40s whose life lacks focus. The situation must change – but where to start? By learning to drive, perhaps. After all, how hard can it be? Very, as it turns out. Six months in, Sonja is still baffled by the basics and her instructor is eccentric. Sonja is also struggling with an acute case of vertigo, a sister who won’t talk to her, and a masseuse who is determined to solve her spiritual problems. Frenetic city life is a constant reminder that every man (and woman) is an island: she misses her rural childhood where ceilings were high and the sky was endless. Shifting gears is not proving easy.

Judas by Amos Oz (Israel), (tr. Nicholas de Lange) – Set in the still-divided Jerusalem of 1959-60, Judas is a tragi-comic coming-of-age tale and a radical rethinking of the concept of treason. Shmuel, a young, idealistic student, is drawn to a strange house and its mysterious occupants within. As he starts to uncover the house’s tangled history, he reaches an understanding that harks back not only to the beginning of the Jewish-Arab conflict, but also to the beginning of Jerusalem itself – to Christianity, to Judaism, to Judas.

Fever Dream by Samanta Schweblin (Argentina), (tr.Megan McDowell) – A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He’s not her child. The two seem anxious and, at David’s ever more insistent prompting, Amanda recounts a series of events from the apparently recent past. As David pushes her to recall whatever trauma has landed her in her terminal state, he unwittingly opens a chest of horrors, and suddenly the terrifying nature of their reality is brought into shocking focus.

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 I haven’t read any of these titles, I’m naturally drawn towards the French translations, since they give me an idea of what people here are reading and enjoying, Black Moses sounds like an entertaining read.
Eileen Battersby has written an excellent article discussing the nominations, giving her opinion on them and a few notable omissions, I’ll be rereading her views before deciding what I might read and checking out the Shadow Panel reviews, a group of bloggers who will be reading the list and making their own conclusions on a short list and winner, from the 13 chosen here.
Further Reading:

To buy any of the books listed Click Here

Baileys Women’s Prize for Fiction Longlist #BaileysPrize #InternationalWomensDay

We may well be back to calling it the Women’s Prize for Fiction as it was known in 2013 after the exit of Orange, as Bailey’s sponsorship of the literary prize comes to an end this year and the search is now on for a new sponsor for 2018 and beyond. As co-founder, Chair and Author Kate Mosse put it:

“The Women’s Prize is now 22 years old and about to enter a new chapter, but our aim remains the same: to celebrate the very best writing by women in English from all over the world and to champion diverse voices – in every genre, of any nationality, race, age, country of origin or birth, from any storytelling tradition.”

She reminds us of its origins, a year in which 60% of novels were written by women (70% read by women) and not one shortlisted for the Booker Prize, a time when less than 9% of novels shortlisted for major literary prizes were by women. In a new era of challenges against women, initiatives like this are just as necessary as they were at its conception.

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Reading informs, entertains, helps us understand, makes us reflect, allows us to hear little known or heard voices while fiction makes history, issues and multiple perspectives more accessible by channelling what may be dry subject material into consumable stories. Mosse communicates that so succinctly when she says:

“Novels can reflect our lives, yes, but also help us to stand in another person’s shoes. Show us another way to see the world. They are about empathy, about imagining, about the courage to speak out. Novels slip between the gaps in understanding and help us to listen to voices other than our own.” Kate Mosse

As I did for the 2016 Baileys long list, I will share here a short summary of the nominated books, to help give you an idea of what you might be interested to read. Summaries are from the Women’s Prize for Fiction website.

So, this year it was said the long list would be reduced from 20 titles to 12, however today the announcement has revealed sixteen titles from the 189 novels submitted. I have only read only one, the longest book of the group, Barkskins by Annie Proulx, a book that took ten years of research and writing to complete, and I have two others already on the shelf to read, The Essex Serpent and

The long listed books are as follows:

Stay With Me, Ayobami Adebayo (review) – Unravelling against the social and political turbulence of 80s Nigeria, Stay With Me sings with the voices, colours, joys and fears of its surroundings. A devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood. It is a tale about our desperate attempts to save ourselves and those we love from heartbreak.

The Power, Naomi Alderman – Suddenly – tomorrow or the day after – girls find that with a flick of their fingers they can inflict agonizing pain and even death. With this single twist, the four lives at the heart of this extraordinary, visceral novel are utterly transformed, and we look at the world in an entirely new light. What if the power were in women’s hands?

Hag-SeedMargaret Atwood – A modern re-working of Shakespeare’s Tempest. Felix is at the top of his game as Artistic Director for the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge.

After twelve years, his chance finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! But will it remake Felix as his enemies fall?

Little Deaths, Emma Flint – It’s the summer of 1965, and the streets of Queens, New York shimmer in a heatwave. One July morning, Ruth Malone wakes to find a bedroom window wide open and her two young children missing. After a desperate search, the police make a horrifying discovery. It’s every mother’s worst nightmare. But Ruth Malone is not like other mothers…


The Mare, Mary Gaitskill – Ginger is in her forties and a recovering alcoholic when she meets and marries Paul. When it becomes clear it’s too late for her to have a baby of her own, she tries to persuade him to consider adoption, but he already has a child from a previous marriage and is ten years older than her, so doesn’t share her longing to be a parent at any cost. As a compromise, they sign up to an organisation that sends poor inner-city kids to stay with country families for a few weeks in the summer, and so one hot July day eleven-year-old Velveteen Vargas, a Dominican girl from one of Brooklyn’s toughest neighbourhoods, arrives in their lives, and Ginger is instantly besotted.

The Dark Circle, Linda Grant – It’s 1949, the Second World War is over and a new decade of recovery is beginning, but for East End teenage twins who have been living on the edge of the law, life has been suspended. Diagnosed with tuberculosis, they are sent away to a sanatorium in Kent to take the cure and submit to the authority of the doctors, learning the deferential way of the patient.

The Lesser Bohemians, Eimear McBride – An eighteen-year-old Irish girl arrives in London to study drama and falls violently in love with an older actor. This older man has a disturbing past that the young girl is unprepared for. The young girl has a troubling past of her own. This is her story and their story.

MidwinterFiona Melrose – Father and son, Landyn and Vale Midwinter are Suffolk farmers, living together on land their family has worked for generations. But they are haunted there by a past they have long refused to confront: the death of Cecelia, beloved wife and mother, when Vale was just a child. Both men have carried her loss, unspoken. Until now.
With the onset of a mauling winter, something between them snaps. While Vale makes increasingly desperate decisions, Landyn retreats, finding solace in the land, his animals – and a vixen who haunts the farm and seems to bring with her both comfort and protection.


The Sport of Kings, C.E. Morgan – Hellsmouth, an indomitable thoroughbred filly, runs for the glory of the Forge family, one of Kentucky’s oldest and most powerful dynasties. Henry Forge has partnered with his daughter, Henrietta, in an endeavour of raw obsession: to breed a champion.
But when Allmon Shaughnessy, an ambitious young black man, comes to work on their farm after a stint in prison, the violence of the Forges’ history and the exigencies of appetite are brought starkly into view. Entangled by fear, prejudice and lust, the three tether their personal dreams of glory to the speed and power of Hellsmouth.

The Woman Next Door, Yewande Omotoso -Hortensia and Marion are next door neighbours in a charming, bougainvillea-laden Cape Town suburb. One is black, one white. Both are successful women with impressive careers behind them. Both have recently been widowed. Both are in their eighties.  And both are sworn enemies, sharing hedge and hostility pruned with zeal.
But one day an unforeseen event forces the women together. Could long-held mutual loathing transform into friendship?  Love thy neighbour? Easier said than done?

The Lonely Hearts HotelHeather O’Neill – Two babies are abandoned in a Montreal orphanage in the winter of 1914. Before long, their talents emerge: Pierrot is a piano prodigy; Rose lights up even the dreariest room with her dancing and comedy. As they travel around the city performing clown routines, the children fall in love with each other and dream up a plan for the most extraordinary and seductive circus show the world has ever seen.

The Essex SerpentSarah Perry – London 1893. When Cora Seaborne’s husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one, and she never suited the role of society wife. Accompanied by her son Francis – a curious, obsessive boy – she leaves town for Essex, where she hopes fresh air and open space will provide the refuge they need.
When they take lodgings in Colchester, they hear rumours that the mythical Essex Serpent, once said to roam the marshes claiming human lives, has returned to the coastal parish of Aldwinter. Cora, a keen amateur naturalist with no patience for religion or superstition, is immediately enthralled, convinced that what the local people think is a magical beast may be a previously undiscovered species.

Barkskins, Annie Proulx (reviewed) – In the late seventeenth century, two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a ‘seigneur’, for three years in exchange for land, they become wood-cutters – barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business.
Proulx tells the stories of the descendants of Sel and Duquet over three hundred years – their travels across North America, to Europe, China and New Zealand, under stunningly brutal conditions: the revenge of rivals; accidents; pestilence; Indian attacks; and cultural annihilation.

First Love, Gwendoline Riley – Neve is a writer in her mid-thirties married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and self-involved mother to a musician who played her and a series of lonely flights from place to place.
Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

Do Not Say We Have NothingMadeleine Thien (review) – In Canada in 1990, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-ming.
As her relationship with Marie deepens. Ai-ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao’s ascent to the Shangahi Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China’s relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-ming – and for Marie.

The Gustav Sonata, Rose Tremain – What is the difference between friendship and love? Or between neutrality and commitment? Gustav Perle grows up in a small town in ‘neutral’ Switzerland, where the horrors of the Second World War seem a distant echo. But Gustav’s father has mysteriously died, and his adored mother Emilie is strangely cold and indifferent to him. Gustav’s childhood is spent in lonely isolation, his only toy a tin train with painted passengers staring blankly from the carriage windows.
As time goes on, an intense friendship with a boy of his own age, Anton Zwiebel, begins to define Gustav’s life. Jewish and mercurial, a talented pianist tortured by nerves when he has to play in public, Anton fails to understand how deeply and irrevocably his life and Gustav’s are entwined.

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Lots of interesting titles to consider! I’d like to read Stay With Me by Ayobami Adebayo after reading an excellent review by Eric at Lonesome Reader (click on the link to read his review).  He will be reading all the books along with the other members of the Shadow Panel, organised by Naomi at The Writes of Women

So which titles are you interested in reading?

Click here to buy one of the titles mentioned above via BookDepository

The Outermost House by Henry Beston #NatureWriting

A Year of Life on the Great Beach of Cape Cod

outermost

Reading Beston on Plage de Notre Dame, Porquerolles Island, France

Originally published in 1928, and still in print today, this is perhaps one of the early examples of literary nature writing, an account of a year spent living among the sand dunes of the great peninsula of Cape Cod, living closer to the ‘rough sea nature’ in all her aspects than most humans do and observing all that passes through and by, using all the senses.

Having planned to stay two weeks in his newly built house on the sand dunes, Henry Beston’s fascination with the changes of the dunes, the tides, the sky, the migration of birds and butterflies keep him captivated; thus he keeps extending his stay, observing the minutiae of life and nature, writing it into this book.

I first came across the title while reading one of my favourite nature writing books by Rachel Carson, Under the Sea-Wind, in which she mentions this volume as one of her inspirations.

Under Sea Wind2And though I enjoyed Henry Beston’s book considerably, Carson’s book for me left a greater impression, for who could not forget being made to see life through the eyes of the very creatures Henry Beston observes. Carson chose to narrate the three parts of her book from the point of view of a sanderling (bird), a mackerel, and a migrating eel. If you haven’t read it and loved this book, I am sure you will enjoy and appreciate Rachel Carson’s personal favourite of all the books she wrote, it is the perfect companion to The Outermost House.

I got the impression Henry Beston may have been something of an insomniac, or perhaps it was because during winter he abandoned the cold bedroom and slept in his front room, where there was the warmth and then cooling of the fire and the changing light of the seven windows he’d included in his simple design. Often throughout the book, he wakes in the night and so making the most of it, seeing these awakenings as an unwitting opportunity, he dresses and goes out to see what’s up. And though we might think that one night must surely be just like another, he always finds something new to observe, reflect on and write about.

He was often visited by the “surfmen” who patrolled the coastline, making sure he’d survived the latest storm, men he said knew the conditions of that coast like no other, not as sailors, but like those who are land based who watch and develop their knowledge and instinct as he learned to, observing how quickly the elements could change and become violent, showing little compassion for floating man-made vessels that attempted to navigate its peripheries.

shipwrecksIt was the late 1920’s and no doubt a year like any other, with its share of wrecks, disasters. The pragmatic attitudes of the locals, as likely to come to the rescue and do anything to help, as they are to salvage what is left, not always understood by the families of victims of the many shipwrecks.

“a wreck was treasure trove, a free gift of the sea; even to-day, the usable parts of a wreck are liable to melt away in a curious manner.”

To get a feel for the prose, I’m sharing a few more of the passages I highlighted as I read, they best portray a sense of his experience and lyrical turn of phrase.

He develops a compassion and understanding for birds and animals and insects that he finds at odds with what an education (or perhaps religion) has taught him, he questions the self-perceived superiority of man and wonders that we ought not perhaps rethink this arrogance.

“We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature, and living by complicated artifice, man in civilisation surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronise them for their incompleteness, for their tragic fate of having taken a form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours they move finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of earth.”

He attempts to put into words, his great awe and the magnificence of the ocean, implying that of nature’s three great elemental sounds in nature (the rain, the wind and the sound of outer ocean on a beach) the ocean is the most awesome, beautiful and varied.

“For it is a mistake to talk of the monotone of ocean or of the monotonous nature of its sound. The sea has many voices. Listen to the surf, really lend it your ears, and you will hear in it a world of sounds: hollow boomings and heavy roarings, great watery tumblings and tramplings, long hissing seethes, sharp, rifle-shot reports, splashes, whispers, the grinding undertone of stones, and sometimes vocal sounds that might be the half-heard talk of people in the sea. And not only is the great sound varied in the manner of its making, it is also constantly changing its tempo, its pitch, its accent, and its rhythm, being now loud and thundering, now almost placid, now furious, now grave and solemn-slow, now a simple measure, now a rhythm monstrous with a sense of purpose and elemental will.”

He is prone to talk of the sounds of natures as if they were a symphony of his making.

“As I muse here, it occurs to me that we are not sufficiently grateful for the great symphony of natural sound which insects add to the natural scene; indeed, we take it so much as a matter of course that it does not stir our fully conscious attention. But all those little fiddles in the grass, all those cricket pipes, those delicate flutes, are they not lovely beyond words when heard in midsummer on a moonlight night.”

Cape Cod Birdlife by Janet DiMatta

Cape Cod Birdlife by Janet DiMatta

A delightful read that I enjoyed even though I have never visited the area, it does make you wish to see it for yourself, a unique ecosystem and landing point between here and there for so many species, one that Henry Beston has succeeded in depicting so well, it has ensured his book has become a classic, continued to be read, reread and appreciated by multiple generations of readers.

To see some pictures of the house, you can visit the website Outermost House.

Click here to buy a copy of

The Outermost House or Under the Sea-Wind