The Power by Naomi Alderman

I’ve been aware of this novel and reading about it for a long time, watching it come through and finally win the 2017 Baileys Women’s Prize for Fiction and I love that this will ensure it is widely read, because perhaps the greatest value to this story is to provoke readers to discuss it, not so much the actual story, but the theoretical constructs behind it and how it exposes the way we think and accept things as they are today and yet when twisted on their head as Naomi Alderman has done in The Power, we become ever more acutely aware of the gravity and depravity of that thinking.

The Power is the story of a manuscript sent from one friend to another, thus it’s bookended by their correspondence, before and after we, along with Naomi (the recipient of the manuscript) read Neil’s historical novel ‘The Power’.

The story follows a period in (and looking back on) the lives of four characters, the first part is entitled Ten Years to Go, finishing with the final part Here It Comes. The characters come from different parts of the world; Roxy, the daughter of a British crime boss, traumatised by the accidental witnessing of her mother’s murder, who finds the safest place to be is among those whom she most fears; Allie, an abused foster child who escapes and changes her identity, guided by an inner voice and destined to lead, who will become the religious leader Mother Eve; Tunde, a Nigerian youth who discovers his calling as the witness and recorder of events as they unfold, leaves his country and follows the rise of women as they assume The Power in one of the most extreme locations, where leadership is more akin to dictatorship and the population becomes more and more extreme in response to the fear and punishments generated by an increasingly corrupt leadership; and finally Margot, an ambitious American politician who is well placed for the transition, whose troubled daughter Jocelyn becomes the recipient of some of her initiatives.

Rather than finding ourselves in the midst of a society already run by women, the story takes place as women are beginning to assume control and the reason they can do so is because of their unique ability to inflict pain, in a way men can not.

Through the experiences of these characters, we witness what happens as power shifts, their narratives coming together in the newly declared kingdom in Moldova, where the President has been deposed by his wife Tatiana.

“And there she declares a new kingdom, uniting the coastal lands between the old forests, and the great inlets and thus, in effect, declaring war on four separate countries, including the Big Bear herself. She calls the new country Bessapara, after the ancient people who lived there and interpreted the sacred sayings of the priestesses on the mountaintops.

It’s a book that keeps the reader guessing, wondering what the impact of this shift in power will be, will we see something different from what we know, or will women turn out to be as similarly corrupted by power as men?

As the path the author has chosen plays out on the page, the reader encounters thought provoking reactions to how they perceive what happens when roles are reversed, for as Naomi Alderman shared when her novel made the shortlist of the Bailey’s Prize:

“I didn’t start from the idea of making a matriarchal society. But the idea did come from a particular moment in my life. I was going through a really horrible breakup, one of those ones where you wake up every morning, have a cry and then get on with your day. And in the middle of all this emotional turmoil, I got onto the tube and saw a poster advertising a movie with a photograph of a beautiful woman crying, beautifully. And in that moment it felt like the whole of the society I live in saying to me “oh yes, we like it when you cry, we think it’s sexy”. And something just snapped in me and all I could think was: what would it take for me to be able to get onto this tube train and see a sexy photo of a *man* crying? What’s the smallest thing I could change? And this novel is the answer to that question, or at least an attempt to think it through for myself. …I just had this idea about women developing a strange new power.”

Overall, I liked the book for its provocation and the conversation it generates, but the story itself and the inner landscapes it explores, the places it takes us, aren’t states of mind or dwellings I prefer to inhabit in literature and because equally in addition to there being a perceived rise in rhetoric against equality for women today, there is simultaneously, depending on what information channels and voices we expose ourselves to, a rise in empathic consciousness – so yes, we are in a time of critical transition and equally many are rejecting the conditioning of the past, embracing a more compassionate, altruistic way of being.

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16 thoughts on “The Power by Naomi Alderman

    • I was definitely intrigued to read it right from when it appeared on the long list, I did realise it wasn’t my usual fare, speculative fiction/dystopia, but glad I read it with regard to the issues it raises that are certainly topical right now.

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    • Yes, I think that was her point, to question why we don’t react to things the way we are, as we see how perverse they are when they are seen from reverse angle, ultimately power doesn’t seem to be able to be handled responsibly by either sex.

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  1. I admit, if it hadn’t won the Baileys I would have bypassed this book simply because I don’t generally read dystopian. Now trying to convince my book group to take on a Power/ Handmaid’s (TV and book) project next month.

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    • Likewise, I doubt I’d have bought it if it hadn’t come to my attention via the prize, although I was intrigued by it as soon as it made the long list and actually got it then, I hope your bookgroup goes with it, it would prompt an interesting discussion I’m sure. I’ve been hearing about The Handmaid series, I hope to see it one day!

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  2. This sounded like a fascinating book , but most of all, I loved the final paragraph of your review – a wonderful summing up of the book, and then a moving and powerful statement about your philosophy and what is happening in the world today… thank you Claire, beautifully expressed…

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    • Thank you Valerie, the world can seem to be or to become what we focus on, and while we may not influence the world we can at decide decide ourselves what we allow in or fill ourselves with, or spend time doing and so many are doing that genuinely in service to others, those are the empowering stories, the role models I like to see and hear about, this novel can provoke that kind of conversation too I am sure. Thank you for being one of the lights. ✨

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  3. I’m still not sure about this one. I read Charlotte Wood’s dystopian The Natural Way of Things and absorbed its angry rant about misogyny as I was supposed to, but I didn’t enjoy reading it and truth is, I didn’t need to read it to get the message anyway. I’m a graduate of Feminism 101 via the books of Germaine Greer, Anne Summers, Betty Friedan et al; my generation was in the vanguard of demanding equality, everything from stupid things like not having to wear a virginal white gown at graduation ceremonies and not making the boss’s coffee, to equal pay and abortion law reform. So far, third-wave feminism hasn’t delivered anything that looks new to 1970s feminists like me and a lot of it looks rather shallow.
    I read books to discover new ideas or ways of living in the world and/or for the beauty of the language but I didn’t get any of those things from TNWOT, and I remain to be convinced that The Power won’t be the same.

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    • And Theron lies your important contribution to the conversation, it’s no longer about what you need from feminism but perhaps what the new generations need to know and understand about the past as much as the present. It’s not new but it needs to remain alive in a culturally, worldly relevant way, I know you can contribute without needing to read The Power, but I do think it’s showing many readers how conditioned they are to just accept things as they are, less about the story and more about looking in the mirror.

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