I came across Maryse Condé recently via the Man Booker International Prize 2015 list of 10 nominated authors. She is third from the left in the picture below.
Not a book prize as such, it is an award conferred on an author who has a significant body of published work, regardless of the original language it was written in, though some of it must have been translated into English.
It is from such long lists the gems are found I say, and having read about all 10 thanks to this excellent Interview: The Finalists Speak in The Guardian, I spotted my potential winner immediately. A winner in the sense that I intend to read a few of their books. The Indian writer Amitav Ghosh was the only author I’d read on this list.
One writer jumped out at me straight away and I pursued her works with little consideration for the pending award result. Maryse Condé didn’t win the prize, the Hungarian writer László Krasznahorkai did, a writer whose books intellectuals rave about, but who I’m not sure I’m ready for yet.
She takes us right back to the beginning, to the day of her birth. Being the youngest of 8 children, the family possessed an extended collective memory and she was fortunate to have heard the story of her birth from other perspectives.
Her appearance was both a source of pride and shame for her then 43-year-old mother and 63-year-old father, proud that her body remained robust enough to support the creation of a child and shame that it publicly displayed evidence of their continued indulgence in carnal pleasures.
The first chapter Family Portrait describes her parents relationship with France:
“For them France was in no way the seat of colonial power. It was truly the Mother Country and Paris, the City of Light that lit up their lives.”
World War II wasn’t considered dark on account of all the dreadful atrocities that occurred:
“but because for seven long years they were deprived of what meant the most to them, their trips to France.”
She recounts an anecdote of a waiter in a café complimenting the family on their excellent French pronunciation, to which her parents felt indignant, considering themselves just as French as a Parisian waiter, even more so because of their higher education, manners and regular travel.
Not understanding why it mattered so, she asked her brother Sandrino:
“Could he explain my parents behaviour?” to which he replied “Papa and Maman are a pair of alienated individuals,”
a mysterious word that would rest a long time in her consciousness until she came to understand it. She realised that not only did they take no pride in their African ancestry, they knew nothing of it, however:
“They believed they were the most brilliant and most intelligent people alive, proof positive of the progress achieved by the Black Race.”
In their neighbourhood all the mothers in their circle held a profession and with it contempt for the manual work they believed had been the undoing of their own mothers. They employed a servant who, though she raised 6 children of her own would begin work at 5am to take care of the needs of the family.
We meet her best friend Yvelise, two girls who did everything together, their friendship almost destroyed by the unfortunate intervention of one of her teachers, causing a temporary rupture.
Maryse’s mother Jeanne, knew the life she didn’t wish to lead, nor her children either, she had succeeded in breaking the cycle endured by her mother and grandmother and a good education was key (and perhaps being married to a successful and much older husband). Jeanne was a school teacher, revered and feared in equal measure by those around her. Her eldest son Sandrino and her youngest child Maryse the only two children who weren’t afraid to stand up to her, the others too terrified to challenge her.
On her birthday, her favourite pupils recited compliments, gave her roses, her husband bought her jewellery and the day would culminate with a family play, a short piece of theatre written themselves, in her honour.
‘Beneath her flamboyant appearance, I imagine my mother must have been scared of life, that unbridled mare that had treated her mother and grandmother so roughly…Both of them had been abandoned with their “mountain of truth” and their two eyes to cry with.’
10-year-old Maryse asked if she could read one of her compositions for her mother’s birthday.
‘I had no idea what I wanted to write. I merely sensed that a personality such as my mother’s deserved a scribe.’
If a book of essays can reach a crescendo, this is the moment when we reach it. The moment when Maryse learns that not all lessons come from one’s parents and school teachers, some come from life itself and often when we least expect it.
In the chapter School Days , she is at school (lycée) in Paris when her French teacher asks her to present to the class a book from her island. It is a watershed moment.
‘This well intentioned proposition, however, plunged me into a deep quandary. It was, let us recall, the early fifties. Literature from the French Caribbean had not yet blossomed. Patrick Chamoiseau lay unformed in his mother’s womb and I had never heard the name Aime Césaire. Which writer from my island could I speak about? I resorted to my usual source: Sandrino.’
Sandrino introduces her to to a treasure. La Rue Case-Negres (Black Shack Alley) by Joseph Zobel and his hero José Hassan. It was made into an award-winning film titled Sugar Cane Alley.
It was her first introduction to a world no one up until that moment had ever mentioned; a world that highlighted slavery, the slave trade, colonial oppression, the exploitation of man by man and colour prejudice.
‘I was scared to reveal how José and I were worlds apart. In the eyes of this Communist teacher, in the eyes of the entire class, the real Caribbean was the one I was guilty of not knowing.’
These glimpses into the more significant and memorable aspects of childhood that shaped the author Maryse Condé are insightful, engaging and honest. Just as her consciousness is awakened, the vignettes finish and leave the reader desperate to know more.
I had intended to read this volume over time, but once I started reading I couldn’t stop, it is almost like reading a coming-of-age novella and at its conclusion, the writers fiction will begin. For Condé’s first novel Hérémakhonon is about a character raised in Guadeloupe, educated in Paris, who then travels to Africa in search of a recognisable past, just as she did.
‘Veronica has spent her childhood in Guadeloupe and, after a period as a student in Paris, wants to escape that island’s respectable black bourgeoisie, which she regards as secretly afraid of its own inferiority. She travels to an unnamed West African state and, while there, seeks an authentically African past with which she will be able to identify.’
Tales From The Heart is an excellent read and an intriguing introduction to the writer and her influences and will certainly make you want to read more of her work. I am very happy I have these three novels on the shelf to follow-up with only I am missing that debt novel which I really want to read now too! Very highly recommended.